Filed under

nepal

 

We're hiring! Are you good at organising rugs?

We set up node last year so that we can help a fair trade project/school set up a really nice social enterprise. so far its been going pretty good. Amongst other things we are being stocked by the design museum but there have been other very exciting opportunities that we have not been able to fully realize yet.

There are just 2 of us. Akshay is in Kathmandu and I'm really busy on other projects and to be honest ive no idea how to best do a lot of this stuff. I am offered a lot of opportunities with the rugs but i dont have much business sense, it would be great to have someone on board with a good vision and a more structured approach for growth.

We think we have the potential to scale up. We want to be able to pay ourselves (all voluntary so far) and scale it up to something thats helping lots more people out. we have been offered some VERY VERY exciting exhibitions with some VERY VERY exciting people, and i want to give this project the attention it deserves. 

 

So thats why we are looking for someone to help. If you can make it work and you can make this pay ..you have a job!

for more info on the job see the detailed  description below. you can also see the links below:

chrishaughton.com/node

nodenepal.com

 

 

 

_mg_8413
Rug1

 


...........................

Are you good at organising stuff? Do you have an interest in design, fair trade and RUGS! If so please drop us an email (address below)

Job title:  Creative project & event manager

Purpose:
  • to co-ordinate an international fair trade design exhibition project
  • to work with designers and Nepal-based manufacturer
  • to promote and market project to museums and retailers in UK and abroad.
Responsible to: The owner
Working with: Designers, illustrators, museums, retailers, manufacturer in Nepal
Salary: Self-employed freelancer
Based: preferably in UK (client is based in London)
Terms: in first instance till December 2012, with potential to extend
Our client is a fairly well known illustrator and animator who has been working in Nepal with a fair trade textile manufacturer.  This manufacturer is a social enterprise that has got great capacity to create one off or small batch produced tufted rugs.
Exciting conversations have been held with a museum and retailer in London who are interested to present a collection designed by up to 20 designers and illustrators later this year during London Design Festival.

Specific responsibilities:

Project management
  • To create a project plan and budget, set up meetings, liaise with our client, keep project on track both financially and in time.
Design management
  • Create a collection of 20 different contemporary fair trade uniquely designed rugs.
  • You will be the main contact between the 20 designers and the manufacturer in Nepal to create, manufacture and deliver rugs to the UK in time.  Responsible for all correspondence, skype conversations, emails etc.
  • To write a design brief for up to 20 designers and illustrators, contact potential designers and liaise with designers, creation of contracts and royalty agreements with designers, all liaison with designers.  There will be a run of up to 50 rugs per design.
  • You will be responsible to create the rug exhibition in London in September with major museum and potential major retailer.
Marketing
  • (Most of designers and illustrators are already known to my client, so little promotion required to get other designers involved)
  • To promote exhibition in London to press, potential retailers, with a view to tour exhibition or show in our outside of UK.
  • Find additional retail and exhibition opportunities.
  • Create online sales through own website or working with partners.
Commercial management
  • You will be responsible for the commercial success of this project, with the main aim to financially support the trade fair manufacturer in Nepal through regular trading.  This is a self-funded project, so no government funding is involved, although some sponsorship opportunities might be possible.
  • You will need to be able to budget and price the collection appropriately, and promote to retailers to show and sell the rugs
  • There is the potential to work here as an agent on a longer term project basis.
Requirements
  • We are looking for a candidate with an entrepreneurial, ‘can do’ attitude, who makes things happen.
  • You have got excellent communication and negotiation skills, ideally working with designers, manufacturers and retailers. The manufacturer in Nepal has been educated at Harvard in US and has very good English.
  • You probably have got a very strong marketing, retail and or design management background, potentially working as an agent.  It would be good if you have got experience in costing, pricing and royalty management.
  • You must be very interested in fair trade.
Fee
You will work as a freelance, self employed agent.  You can work from anywhere, but our client is based in London, and some meetings in London will probably be required.  There might be some travel to Nepal involved (not necessarily).  We expect this project to be commercially very viable, but it is up to you to generate income and your fees.
Project timings
April    Start project, planning, budgeting, write brief, develop contracts, contact designers,    liaison with museum
May     Design to start
June    Manufacturing to start
July     Start promotion
Sept     Rugs delivered in UK
Nov     Exhibition in London
Follow up with other retailers
To apply
Send us your CV and a letter (in total no more than 4 sides of A4, ideally saved as a PDF) detailing why you are the best candidate for this position.  Please include an up to date email address and phone/mobile number.
We will inform you by e-mail if you have been unsuccessful, and we contact you by phone to arrange for an interview in London on Monday 30 April.  We will be able to do skype or phone interviews for candidates outside of London or the UK.
Deadline:        Wednesday 25 April at 6pm
Email to:         info@thedesigntrust.co.uk please include ‘job application’ in the subject line.  You can also use this email if you have any questions about this position.

photo by carolin weinkopf. bear rug by nadia shireen

Filed under  //   fair trade   london   nepal   rug  

Comments [0]

NODE: fair trade rugs

8
_igp1603b
Mail_attachment-1

Im VERY excited about this... im co-founding a fair trade project called NODE. We're launching it today.
We will make and sell fair trade rugs. We want to collaborate with great illustrators and designers and produce amazing rugs all through the fair trade group KTS in Kathmandu.

Last year i made some rugs in Nepal and they became really popular. My blog post on it was fwded around and ended up in lots of design magazines. I was then approached by other designers and illustrators who wanted to make their own rugs.
I thought this was a great idea, I was connecting great designers with a great fair trade group. We could even do an exhibition in London of the rugs we made.
There was a couple of problems though, the hassle and cost of doing small orders or one-offs with bank charges and shipping and import duty / declaration forms and all the paperwork put most of the illustrators off. 
I also just didnt have the time to actually receive payment and organise shipments etc... the more i got into it the more complicated it got. so the whole thing was stalled.

Then i had a chat with with my friend Akshay Sthapit in Nepal who had recently set up harilo.com  
Harilo is a bit like amazon for Nepal. They import and export. And do really complicated logistics so we had the idea of working together.
We have decided to call it Node. Its a point on a network but it also means 'knot' in Latin.
Node can help organise exhibitions and help designers to sell their rugs. But unlike a company we want to operate very transparently. We want to do something new and self-organise, a group of designers making nice things that can be successfully scaled up and hopefully help KTS help out more and more people. Thats the plan anyway..!

At the moment we only have my rugs available to buy but we will be adding more soon
And next year we will be organising an exhibition..
Anyone who wants to get involved (whether designing or buying) please email me
chris (at) vegetablefriedrice (dot) com

have a look at the site...

http://noderugs.com/

 

 

Filed under  //   fair trade   nepal   node  

Comments [1]

Kathmandu: World's No. 1 earthquake danger zone

Dsc01795

As I watch the horrific aftermath of the Japanese earthquake and tsunami, and the scale of the rescue effort needed, I cant believe the turmoil that has struck Japan. It is so alarming and distressing to see a developed country that is prepared for the danger of an earthquake be so totally overwhelmed. I am also becoming more and more alarmed of the scale of the disaster if an earthquake were to strike Kathmandu. I met a seismologist who was working here last year and he told me some extremely frightening statistics, my girlfriend has actually also been working on an article about it for the last few weeks. The verdict is that when an earthquake strikes here it may well be more lethal than Haiti.


GeoHazards International rate Kathmandu as the number one danger spot world-wide. There are several reasons for this... all of them very very alarming.

It is one of the most densely populated cities in the world. Mazes of medium-high rise masonry building, virtually none of which are EQ proofed, tiny streets, no green spaces, and no-where to run.  The country has been at war up until a few years ago and any regulation that was in place has since been ignored. There was a huge influx of migration into the city during the war and many poorly built buildings went up. The entire valley floor is densely packed with poorly built 3-4 story buildings.
The entire city is built on a sandy former-lakebed which acts like an amplifier for any shaking in the region. 
There is only one airport, with one runway. But the route into and out of the airport will likely be blocked. And in fact it is believed to be in the worst area in the city for damage.
There are only 3 roads into and out of Kathmandu. All of them are tiny and cross huge mountains. All 3 are certain to be entirely cut-off due to landslides. Perhaps for many weeks. Considering there are very regularly landslides simply after heavy rainfall i dont find this very surprising. This means that the city is entirely cut off from the world, when the earthquake does hit there may be no way of getting into or out of the city. 
As one of the worlds poorest countries it has very few resources. There are 8 working fire-engines in a city of 2.5 million people. The mobile phone building headquarters are not even proofed. Even right now before the earthquake it has only 10 hrs of electricity per day.
A very large earthquake is overdue. The last one was in 1934. They are expected roughy every 75 years. It would likely be a 8+ scale earthquake. The area to the west of Kathmandu is even more overdue. 

It is inspiring to see the outpouring of funds and help going to Japan and Haiti and New Zealand. Japan certainly needs all the help it can get right now, but i cant help thinking that funds may be better spent on prevention in areas where lack of money is the number one issue. The frustrating thing is that most of this destruction can be entirely avoided. Experts had been screaming about the potential disaster waiting to happen before Haiti and there was very little done except after the event. Experts are now screaming about the dangers in Kathmandu, Istanbul, Tehran and elsewhere but we dont hear about these until after they happen. And when it does happen to Kathmandu no amount of funds can help because of the problem of getting into the city. I cant help thinking that the media is failing us. As soon as it happens they are all over it with TV cameras and helicopters but right now many people in Kathmandu i have spoken to seem to be completely unaware of the dangers. Some are not even aware they are in an earthquake zone.

Articles

You can donate money to GEOHAZARDS. They seem to be doing a direly needed job. they target the worlds most vulnerable areas and focus on prevention.

Filed under  //   nepal   things that keep me awake at night  

Comments [0]

My rugs are in London!

My fair trade carpets have finally arrived!
I did them as samples when i was in Nepal a few months back.
Take a look at the blogpost about making them here
If anyone would like to help stock them please get in touch

UPDATE..................
I have just set up a new website for these carpets
please take a look at
www.noderugs.com

to view and order...
thanks!

(download)

Filed under  //   fair trade   kumbeshwar technical school   nepal   node   rug  

Comments [2]

Mahaguthi, Tulsi Mehar and a lost Owl.

Mahaguthi 'Craft with a Conscience' has the most interesting history of all the fair trade groups in Nepal. I had read about their work many years ago and had always wanted to work with them. I want to give a bit about their history because i think it sums up much of what fair trade is about. It was started by the legendary social reformer Tulsi Mehar in 1923. In the early 20th century Nepal had a very rigid caste and social structure, only the high caste men were educated and literate. Mehar campaigned against this inequality and for his vocal anti-establishment ideas he was thrown out of Nepal by the Nepalese Rana government and ended up exiled in India. His search for truth and equality led him to Mahatma Gandhi and they worked together for many years. His time with Gandhi gave him an opportunity to gain insight to the liberation of the underprivileged. In a system where there are no opportunities for women to bring in money for themselves they must rely on their husbands and fathers. Without the means to improve their own lives women's situations can be very restrictive and this can be hugely problematic if there is domestic violence or abuse. Mehar and Gandhi's vision for reform was to empower women through education and income generation projects so that they can become economically self-reliant. Gandhi wrote to the Prime Minister of Nepal to ask him to let Mehar back into the country. Once back in Kathmandu in 1923 and with a donation from Gandhi, Mehar set up the spinning and weaving develop
ment project that became Mahaguthi. It was not only the first social development project in Nepal but was actually among the first ever manufacturing units in the economically closed feudal country.
Mahaguthi currently takes on 90 new women annually (most are widows or victims of domestic abuse) to train them in literacy and employable skills and school their children as well as supporting a hospital.

I have written and illustrated a children's book 'A Bit Lost' with Borim Press and Walker books and I had the idea to create a small fair trade soft toy to sell along with the book that could be entirely made from scratch by the women at Mahaguthi. The toy is entirely made from raw cotton, using all the traditional cottage industry techniques that Gandhi made famous. It is hand-spun into yarn, dyed, hand-woven and finally sewn all by the women at Mahaguthi.

 

Gandhi and Tulsi Mehar Shresta

Dsc01946

 

The women in the womens shelter learn to spin and weave and the profits from their crafts are used to support and educate themselves and their children as well as supporting a hospital

Dsc01911

 

Some of the children of the women from Mahaguthi's women's shelter

Dsc01913

 

Some of the younger children can't read their names yet. Interesting system

Dsc01278

 

Some of the women employed at Mahaguthi are deaf or disabled. This is the sign you do when you take Monday off.....'Im outta here. Peace'

 
Dsc01916
a few images from the classroom
Dsc01917
this guy is having a really bad banana. not nice.
Dsc01921

Dsc01931

 

.....storytime ......YAY!

Dsc01940

 

Dsc01990

 

This is the small hospital funded by Mahaguthi's profits, you can see the portraits of Gandhi and Mehar

Dsc01996

 

This is their ambulance believe it or not. Ambulances come in interesting shapes and sizes in Nepal. And colours!

Screen_shot_2010-07-04_at_17

 

The front cover of the book

Screen_shot_2010-07-03_at_17

 

Some owl designs. I wanted to try some different options with the stitching. I needed to make the owl a little flat so that it can still pack together with the book. I think it would sell best as a gift idea together with the book rather than as a separate item.

Dsc01948

 

Weaving 

Dsc01951

 

M0

 

Sewing and designing the first prototypes with Chandrigarh

M2

 

X

All the Ullu's! The Hindi word for 'owl' is 'ullu' which is also the word you use if you want to call someone stupid. Owls are thought of as stupid in India and Nepal, the opposite to how they are seen in the west. My owl is definitely a Nepali 'ullu' rather than a western owl. Actually I have become known as ullu-man in the Mahaguthi office (!).Thanks very much to Sumitra, Anita, Chandigarh and Uttara (also to Ono and Sunil who arent here)

*UPDATE* they are now available from my new shop here

Owl3

 

 

Filed under  //   Un Peu Perdu   a bit lost   fair trade   ihan hukassa   kleine eule ganz allein   little owl lost   mahaguthi   mama kwijt   nepal   엄마를 잠깐 잃어버렸어요  

Comments [1]

Kumbeshwar Technical School Carpets

Through People Tree I was introduced to the really excellent Kumbeshwar Technical School I posted about them a little earlier here. Like Mahaguthi they support and train lower caste women and also men. They also support a large school of 260 and an orphanage of 19 children. I have been having exhibitions of my digital illustration work from time to time, i have been converting the files to screens and screen printing them or simply printing them digitally.
I saw the opportunity to collaborate with KTS. They make these amazing natural hand-spun Tibetan wool carpets. The carpet making process is quite similar to the pixel make up of digital images so as many of my images are quite flat with few colours so I had the idea of producing some of my designs as carpets. Together with Satyendra and the design team we found a way to covert digital images directly to carpet graphs which will hopefully make the design process a little easier.
Im really excited about the possibilites with designing carpets though, could be great.

UPDATE.....................................
I have just set up a new website for these carpets
to view and order please take a look at

 

2

 

Technical training for the adults. KTS have a facility to produce knitware, carpets and also furniture, and they provide training to their workers

School-children-celbrating-childrens-day

From their profits they also fund a school of 260...

Hostel-kids-in-school-dress

...and an orphanage of 19 children

 

Test_grid_60cm

 

The first test grid i made digitally (i managed to mess up and specify C31 (beige) instead of C30 (black).... Chris you idiot!!!!

Chris-sample-carpet

 

it worked ok though!

Img_0934

some details in production

Img_0938

 

Img_0939

 

and some designs ......more to come

4x6-60knot-red

 

4x6-100knot-2

 

I will post more about this soon when the first batch of carpets comes through.
If you want to order or enquire about a carpet please mail me .....chris (at) vegetablefriedrice (dot) com

 

Filed under  //   fair trade   nepal   rug   social justice   sustainability  

Comments [0]

Getting involved with Fair Trade: some information for designers


Screen_shot_2010-07-05_at_13

Some people have mailed me to ask how I got in contact with the Fair Trade groups etc so i thought I should explain it a bit here.

There is two main certification marks that govern fair trade. The first is the FLO mark on the left above, it oversees commodities such as coffee/tea/fruit and is the most widely recognised. The second is the WFTO mark which oversees the more complex fair trade manufacturing certification. Clothing/stationery/handicrafts any manufactured goods etc all come under this mark so it is the place to go for designers looking to create and manufacture designs and products.

I always wonder why it is the Fair Trade raw commodity mark is so widely recognised but the Fair Trade manufacturing mark isn't as well known. Mainly perhaps because the Fair Trade raw commodity mark products can sell themselves without much help from design (coffee, tea etc need nothing more than a packet) but fair trade manufactured products aren't as easy because they heavily rely on design. There are great companies such as People Tree that are doing their bit to show that its possible to do great designs in fair trade, but in general I think its clear that there still isn't enough great design. Why isn't it everywhere?  More than 50% of coffee sold in the UK is fair trade and still rapidly growing but in clothing it is less than one percent. If there were more it would be a huge force in poverty reduction and the main thing I see holding it back is design.

Having worked myself in advertising and commercial design for a long time I had become very disillusioned in the world and business of design, and I am very grateful to the people I have met in Fair Trade who have reminded me again what good design can be. There are some amazing traditional crafts and hand made objects that just cannot be produced industrially that lend themselves if designed nicely to really beautiful high-end design products. Textile designers in particular would be blown away. Not only that but I have met some pretty amazing and inspiring people. It has been a great opportunity for me to take some time to do something a bit different that is generated by myself rather than commissioned and it has led my design work into lots of new and unexpected directions.

For anyone who is thinking about getting involved they can go straight to the WFTO website here and contact producer groups all over the world by region/country or by product type. Literally anything you can think of (that can be non-industrially manufactured) can be made somewhere by some co-operative. You can also join them on facebook here 
If you have any other questions please leave a comment below.

 

Acp1

 

Some amazing hand-woven fabric swatches from ACP. The craftsmanship and work here is just mind-blowing. The stuff you could do with this....!

Dsc01685

 

Even just very simple screen prints work so well on hand-woven fabrics

04_finished_bag

bag prints...

 

 

15-acp-peopletreetoys6

and some soft toys.

 

 

Filed under  //   fair trade   india   nepal  

Comments [1]

People Tree prototypes

I have just been working on some fair trade soft toys here in Nepal with ACP

We still have to iron out a few things ...probably going to shrink them in size a little... but hopefully they will be available in autumn 2011 from Peopletree

Dsc01693

new nepali words of the day: 'bandha sukya' = 'monkey finished'

 

Dsc01705

 

Dsc01722

 

Dsc01723

 

Dsc01725

 

Dsc01729

 

Dsc01681

 

Dsc01727

 

Dsc01720

 

Dsc01726

 

Dsc01696

 

Dsc01697

 

Dsc01689

 

Filed under  //   childrens   fair trade   nepal  

Comments [2]

Kathmandu University Illustration Workshop

These are some of the images from the illustrators at my workshop at Kathmandu University. We combined images from Nepali folk stories and legends with other images to create new ways of telling the stories. Thanks very much to all the students at KU. The standard of work was really very high.

You can read more about it here

the images below are by (top to bottom) Sadhana Poudel, Aditya and Kanchan Burathoki

read the photo.circle post about it here 

26081_381288601836_687621836_4286396_563204_n
1
2
3
4
Img_0677

Filed under  //   illustration   nepal   workshop  

Comments [0]

Kathmandu University Talk

I’m giving a talk tomorrow at Kathmandu University. go here for details. everyone welcome

Jointly organised by KUart and photo.circle

Poster

Filed under  //   nepal   talk  

Comments [0]

Interview for PIVOT Dublin Feb 2012

Rug2
Node_make_8
Chris Haughton was listed in Time magazine's 'DESIGN 100' for the work he has been doing for fair trade clothing company People Tree. He has co-founded Node a fair trade company to create rugs in Nepal. He also writes  children's books 'A Bit Lost' is about a lost owl and 'Oh No, George!' about a bad dog.

What did you do?

Together with Akshay Sthapit I set up NODE a fair trade rug making project in Nepal last year. The aim is to connect designers with third world craftspeople, help people out of poverty and support their development projects and make some nice rugs at the same time. 

Why did you set up this Initiative? 

I had been working with fair trade for the past seven years in London, and i admired the development work that fair trade was doing and wanted to get more involved. I took 8 months off to visit India and Nepal and see if i could create something together directly with the producers. I travelled around to see what could be made in fair trade that would best use design together with craft. The main reason I set it up was to help out the development project, their crafts are of very high standard but the design is not at the same level and so it made sense to rope my designer friends into this too. As it turned out there were plenty of things that we could work on and this has develope
d into much larger projects than i had first envisioned. 

What is your role in the network of makers, producers, sellers etc?

I noticed that there was an opportunity when I posted images of the rugs on my blog. People from all over the place emailed to enquire about buying them and as my blog is followed by many designers  people also wanted to ask if they could design their own one. I spent a frustrating year unable to do anything as i didn't have the facility to receive payment for customers and at the same time the complex bank charges/import duties and logistics made it prohibitive for other designers to order single rugs and have them shipped. I spoke about this to my nepalese friends and
Akshay who specialises in logistics and imports solved it. 
I have hosted exhibitions to launch our rugs and got the Design Museum stocking us. We hope to connect more designers and do a large exhibition in the Design Museum London shop later in the year. I am trying to steer clear of organising as i am more of a designer and am currently looking for someone to ideally take over this role. Im very happy to oversee it and get paid for the work i have done to help it to work but i am not interested in making money from this project.

What do you think is the value for producers? for customers?

The makers are unskilled, mainly illiterate adults who are from the lowest caste in Nepalese society. working for Kumbeshwar and NODE provides them with a way out of their situation and provides enough work and free schooling so that they can afford to send their children to school. There is no social welfare in Nepal so the poor are in a very precarious position and this gives a way for themselves and their children to be educated. Profits generated support a school of 240 and an orphanage of 19.
For customers the chance of owning or creating unique traditional nepalese handwoven rugs with unique designs. We are working with some of the worlds best designers and illustrators and are creating some very unique and beautiful rug designs. The Design Museum in London has been stocking us and is keen to host future events. Nepalese carpet making is world famous and is of very high quality so it makes sense to have great designers work together with the craftspeople to make valuable lasting items.

How do you think the production / distribution networks that supply our cities might chan
ge in the next decade?

The way we have been consuming has been radically changing in the last few decades and our retailers have been growing longer arms and sourcing products and manufacturing further and further away and so our shopping experience is more and more mediated. Consumers need to react to these developments, the social and environmental effects of these changes are very big and need to be addressed. Interesting experiments include the peoples supermarket in london which runs like a co-operative, their stock is almost entirely fair trade or locally sourced with a lot of thought going into best practises. their workers are volunteers from the local community and work for a few hours a month to become a member. It is seeing some real success and a second branch now opening. Some of the the new economics foundation's projects are excellent. There is also 'fair tracing' an academic project to use QR codes and other IT technology to better show the sourcing of produce at the point of sale sounds to me like it could have huge potential for really changing consumer habits, although as far as i am aware there has been (understandable!) resistance and it has been stalling. Any technology that can help the great transparency of the internet reach the shady supply chains of our supermarkets i think would be very exciting

 

 

Filed under  //   fair trade   interview   nepal   rug  

Comments [0]

Interview with Fast Company: Jenara Nerenberg August 2010

Pastedgraphic-2

fast company

Are books and toys the future of fair trade?

I dont know if its the future of fair trade but it makes a nice gift!  Every part of the little owl made from scratch from raw cotton, it is hand-spun, dyed, woven and sewn all by the women from a womens shelter. It is helping to provide the income to support 90 new women per year and their children, as well as supporting their literacy training and educating their children. Mahaguthi, the fair trade company that makes the toys was actually set up with a donation from Gandhi eighty years ago and has a really fascinating history. One of the things i love about the toys is that each owl is slightly different and each one has a different (worried!) expression on its face which just isn't possible with industrial manufacture. Its just a more meaningful gift as it benefits people who need a hand and has this nice story behind it.

How did you get involved with PeopleTree?

I was friends with a designer who was designing the clothes for People Tree around seven years ago. She had told me about the way the company was set up and I wanted to get involved. Initially I volunteered some designs to produce a line of children's clothing, i designed some little animal prints for cute little t-shirts and bibs and they sold really well so i was asked to do more. Then we did some adult tees and stationery. In the end I have done a whole range of things for them and i sort of ended up branding the company by default.

So tell me, why has the bulk of your work been carried out in Asia? 

My illustration work is quite popular in Japan and Korea and I seem to get a lot of commissions from there. People Tree was actually started in Japan, and also my picture book was first published in Korean when it was picked up at a book fair. Also this year i have spent 8 months developing products in India and Nepal. I'm not sure why I have been so centred around Asia. Maybe it's just co-incidence or maybe because of the lovely food.

What role do young designers like yourself play in changing social norms in the design field at large? 

I think that design will have to pay more attention to things other than surface or aesthetic appeal. As I see it, design right now (especially graphic design) is more part of the problem than the solution. I had become very disillusioned in design because i had been working in a very superficial way. I think many designers feel this and there is a growing movement of designers who are thinking more seriously about design, but not nearly enough is happening right now. I think the most effective thing to do as a designer is to try to create or instigate projects from the very start. Otherwise graphic artists and designers tend to get hired right at the end of a (usually!) ill-conceived project and our work is just simply tacked on to 'make it look nice'.

What's next for you?

I have developed some products working with four different fair trade groups in Nepal and I hope to find distribution now in London. The one im most excited about is producing rugs with KTS, an adults technical school that supports an orphanage. I realised we can create rugs from digital images where each pixel corresponds to a carpet knot. They produce the most amazing hand knotted rugs from tibetan wool. We have produced some test rugs and I hope to have an exhibition in London soon and perhaps also sell the designs from my website. 
I also have two more childrens books in the pipeline. One is about a bad dog!


Pastedgraphic-1

Filed under  //   children's books   fair trade   interview   nepal  

Comments [0]